music

orf quasahi DJ set Live @ trans pecos ⋅ 2026

A short harsh noise remix DJ set performed as an opener for a collective experience at "trans pecos" located in Brooklyn, NY. I was watching a lot of japanese horrifying cinema at the time alongside various gaming soundtracks from child. The idealogy is to capture childhood lonliness with this new found appreciation for Donemostagos centered carnage, aligning with myself from respite in my past. It was once a dream to become part of the NYC Hardcore scene. It no longer had appeal. I felt as if I've acomplished it with this set. I see it as a goodbye to that chapter of musicstry. Name is derived from Enochian magic systems introduced to me by the spirit of Lucifer.

NAZI CRUSHER 9000 ⋅ 2025

"Fuck Nazis." Memories of spending evenings in the local anarchist bookstore named the "P.I.T.". A place where I heard a historic memoir live reading of a rebel who practiced the occult and nonmonogamy on an extreme level while he was alive. A space in time where I obsessed over grimecore imagery and spacey melodic ambience. I found the anarchist selection fascinating but revelled in the idea that throughout history one did not have to associate themselves with anarchism as a collective. Self agency and a sense of authority. That is all.

SACRED BITCH ⋅ 2025

Desirability and a focus on the pressure. Made and mastered on mobile phone while staying in New Jersey. I spent a lot of time in nature. Far from any clubs or venues. It was an isolating time with only I, during a time I still considered myself a demonaltor. I've played the seven-string guitar for a long time now. The guitar has some kind of angelic origins to me. I could tell. This was a time where I faced the fact not only was I sane, but there is a severe spiritual warfare going on outside of me. I'm but a sacred bitch. The beginning of a graphic design series of short visualizer created by myself.

excess of MINISTRY ⋅ 2024

This started as a playlist on web platform Neocities. It was a collection of demos made throughout a time where I was performing at a space called Caffeine Underground and subway train cars. My friend SOUNDKEEPER would bring his pedals onto the train with me, he couldn't end up on any of these tracks. These characters I've met similar to him throughout the city were important to my exploration into sound not just as sculpture but as a method of thought. All of these songs are inspired by moments with them and without. Silence and ambience in between. Sitting in front of ableton, discussing music over Discord. Time was a tunnel. The sky was glowing red. It was a good time to get over the fear of dying.